For instance, we can have the G minor 7 th on the A string by placing one finger on the 10 th fret A string and 10 th fret of the G string. We simply form the 7 th major and move 1 fret lower from the F sharp to have an F. Instead of the F sharp, we have an F, making forming and applying the pattern simpler. Minor 7 th is again, almost identical to major 7 th. For example, to play the G major 7 th on the A string, we play the G minor 6 th: 10 th fret on A string but on the A string, we play the 11 th fret, instead of 9 th. Also, because of their similarity, we can form the pattern of the major 7 th using the minor 6 th. As E is one whole step lower than F sharp, we play the F sharp by moving two frets from the E. For this reason, its pattern is also very similar to the previous minor 6 th, which has an E. You will encounter the 7 th chords quite often in slow pop songs.Ĭomposition wise, the G 7 th major is played using the G root note and F sharp. The 7 th’s brings a more solemn tone to the song. Again, be sure to make an exception if the root note is on the D string. For instance, to play the G minor 6 th on the A string, apply the same pattern as the G major 6 th – 10 th fret on the A string but on the B string, play the 9 th fret instead of the 8 th. As E is one fret higher than E flat, you can play the G minor 6 th exactly as the G major 6 th except move the other string 1 fret higher. The G minor 6 th is played by the G note and an E. Minor 6 th is very similar to its major counterpart. Kindly reminder to make an exception for the D string, where you need to move the other note one fret higher. Let’s say we’d like to play on the A string then simply put one finger on the 10 th fret and the other finger on the 8 th fret of the G string. Again, we can apply this pattern on many positions. Now we can form the pattern as a G note and 2 frets lower on the other string. Our recommendation is to play the 1 st fret on another lower string. However, some players may find this quite a gap, especially for newer learners. Thus, think of the pattern as the perfect 5 th but we play the lower string 3 frets higher. Major 6 th is very similar to perfect 5 th, it consists of G note and E flat. It is more mysterious than other intervals and thus more characteristic. G Major 6 th has a certain unique feel to it. Of course, for the D string, you will have to make an exception and move the note on the lower string 3 frets higher. For instance, if we want to play the G perfect 5 th on the B string simply put one finger on the G note at the 8 th fret and another finger on the 10 th fret of the high E string. The pattern for the G perfect 5 th is a G and 2 frets higher on the lower string. Again, in learning guitar intervals, remember that these intervals are movable and applicable on other positions across the fretboard. Perfect 5 thįor G perfect 5 th, place one finger on the root note – a G and another on the D note of the string right below. Of course, for the G string, it is played by G note of the 12 th and 11 th fret on the B string. The pattern from now is very straightforward, the minor 3 rd is played by the root note on the upper strings and the lower strings two frets lower. Still using the key of G, we will have G, as a root note, and B flat, which means it is one fret towards the nut compared with G major 3 rd. Knowing about the major 3 rd will make learning the minor 3 rd a piece of cake. However, due to the tuning of the guitar, major 3 rd on the G string will be played on the 12 th fret of both G and B string. For instance, on the E string, we can have a Major 3 rd by playing 3 rd fret 6 th string and 2 nd fret A string, but we can also have this pattern applied on the 10 th fret of the A string and 9 th fret of the D string, it is also applicable on the D and the B strings as well. Now we can easily execute the G major across the fretboard wherever the G is. This way, the G major 3 rd is one finger on the upper string and another finger on the string right below and one fret lower. So, instead of knowing the G major 3 rd’s consist of G – as root note and a B note, we will remember its shape – our positions on the fretboard – to play it on almost any strings. Then we lay the second finger on the B note on the 2 nd fret of the A string, completing a major 3 rd.īut, rather than remembering these intervals as notes, it is usually easier to visualize and memorise them as shapes. We will place one finger on the 3 rd fret of the E string, where the G note is located. This, perhaps, is one of the most memorable and easily executed patterns.
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